01 — Video Production

Videographer in Islamabad for brand films, TVCs & reels

Full-crew video production across Islamabad and Rawalpindi — one team from the first concept call to the final graded cut.

01
  • Brand films
  • TVCs
  • Reels
  • Documentary

What it covers

Full-crew video production from concept to final grade — the format built around what the story needs, not the other way round.

Most video briefs arrive as a goal rather than a script: a launch to announce, a property to sell, a founder who needs to be on camera. We start there, work back to the format that actually serves it, and shoot it with our own crew and kit so nothing is handed between vendors mid-project.

That covers a 30-second TVC cut for broadcast and paid social, a two-minute brand film for a website header, event and documentary coverage across multiple days, and the vertical reels that keep a brand posting between the big pieces.

  • Brand films & TVCs
  • Event & documentary coverage
  • Reels & short-form video
  • Scriptwriting through final color grade
  • Studio & on-location shoots
  • Multi-camera interview setups
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Deliverables

What you get

The master cut

Your primary edit, colour graded and sound mixed, delivered in the aspect ratio and codec the platform actually wants.

Platform cutdowns

Vertical and square versions, 15s / 30s trims for ads, plus captioned variants for silent autoplay feeds.

Stills from set

Selected frames and behind-the-scenes photography from the same shoot day, retouched and ready to post.

Who books this

Who books video production

  • Corporate & brand

    Company profiles, founder interviews, recruitment films and internal videos for offices across Blue Area, the F-sectors and DHA.

  • Real estate & developers

    Project launches, site walkthroughs and progress films — usually paired with aerial coverage in the same visit.

  • Hospitality & food

    Hotels, cafés and restaurants: room and interior films, menu and dish reels, seasonal campaign content.

  • Retail & e-commerce

    Product launch films, ad cutdowns for Meta and TikTok, and the vertical reels that keep a catalogue moving.

How it runs

From brief to delivery

  1. Brief & concept

    We pin down the goal, audience and where the video will run, then write the concept and script around it.

  2. Pre-production

    Shot list, locations, casting, permissions and schedule — signed off before anyone picks up a camera.

  3. Production

    Our crew shoots with cinema cameras, lighting and sound. You see dailies as we go.

  4. Post & delivery

    Edit, motion graphics, colour grade, sound mix, two revision rounds, then every cut you need.

Budget

What moves the price

Every quote is built from these, and naming them is how you compare two quotes properly.

  • Shoot days, and whether they run back to back or spread across weeks
  • Crew size — a two-person interview setup versus a lit multi-camera shoot
  • Locations and permissions, especially anywhere needing official access
  • Cast, presenters or creators, where the script calls for them
  • Post-production depth: a clean edit, or motion graphics, grade and sound design
  • How many versions you need out the other end — platform cutdowns add edit time, not shoot time

FAQ

Video Production — questions we get

A straightforward one-day shoot usually runs two to three weeks from brief to final delivery. Multi-location work, casting or documentary coverage adds to that — we give you a dated schedule before production starts.

It is quoted per project, because a one-day interview shoot and a three-day multi-location brand film are different pieces of work. The list above is what actually moves the number. Ask us for a written quote that separates shoot days, crew, post and delivery, so you can see what you are paying for and cut scope if you need to.

Either. Scriptwriting is part of the service, and most clients prefer we draft it from their brief and then revise together. If you already have a script, we'll review it against the shoot plan and budget before locking it.

Yes. The twin cities are our base, but our crew travels across Pakistan for brand films, documentaries and destination work — travel is quoted separately and transparently.

Cinema cameras with prime and zoom glass, LED lighting, lavalier and shotgun audio, gimbals and sliders, plus drones with licensed pilots when the shot needs height. Kit is chosen per brief rather than listed as a sales point.

On request, yes — handed over on a drive or transferred, along with the project file. Most clients don't need it, but it's yours if you want it archived.

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